미국문학의이해
(2024-01-01 기출문제 - 전체보기)
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미국문학의이해
31. 다음 중 적절하지 않은 것은? Each time ⓐshe said the word ( ⓑ ) there was a gathering in her like power, like joy, like fear. Back in bed with her discovery, she stared out the window at the dark leaves of the horse chestnut.
미국문학의이해
31. 다음에 대한 적절한 설명은? . . . where a pot of something was always cooking on the stove; where the mother, Hannah, never scolded or gave directions; where all sorts of people dropped in; where newspaper were stacked in the hallway, and dirty dishes left for hours at a time in the sink, and where a one-legged grandmother named Eva handed you goobers from deep inside her pockets or read you a dream.
미국문학의이해
32. 다음과 관계있는 것을 고르시오.(67~70) Nature does not like to be observed, and likes that we should be her fools and playmates. We may have the sphere for our cricket-ball, but not a berry for our philosophy. Direct strokes she never gave us power to make; all our blows glance, all our hits are accidents. Our relations to each other are oblique and casual.
미국문학의이해
32. 다음과 관계있는 것을 고르시오. (67∼70) Every ship is a romantic object, except that we sail in. Embark, and the romance quits our vessel, and hangs on every other sail in the horizon. Our life looks trivial, and we shun to record it.
미국문학의이해
32. 다음과 관계있는 것을 고르시오. (67~70) The beauty of the world consists wholly of sweet mutual consents, either within itself or with the Supreme Being. As to the corporeal world, though there are many other sorts of consents, yet the sweetest and most charming beauty of it is its resemblance of spiritual beauties.
미국문학의이해
32. 다음과 관계있는 것을 고르시오.(67~70) I heard a Fly buzz―when I died― The Stillness in the Room Was like the Stillness in the Air― Between the Heaves of Storm―
미국문학의이해
32. 다음과 관계있는 것을 고르시오. (67~70) For could the sun do that, then could I do the other; since there is ever a sort of fair play herein, jealousy presiding over all creations. But not my master, man, is even that fair play. Who's over me?
미국문학의이해
32. 다음과 관계있는 것을 고르시오. (67~70) The Eyes around―had wrung them dry― And Breaths were gathering firm For that last Onset―when the King Be witnessed―in the Room―
미국문학의이해
33. 다음과 관계있는 것을 고르시오.(67~70) With Blue―uncertain stumbling Buzz― Between the light―and me― And then the indows failed―and then I could not see to see―
미국문학의이해
33. 다음과 관계있는 것을 고르시오. (67∼70) I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.
미국문학의이해
33. 다음과 관계있는 것을 고르시오. (67~70) I willed my Keepsakes―Signed away What portions of me be Assignable―and then it was There interposed a Fly―
미국문학의이해
33. 다음과 관계있는 것을 고르시오.(67~70) All visible objects, man, are but as pasteboard masks. But in each event―in the living act, the undoubted deed―there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask.
미국문학의이해
33. 다음과 관계있는 것을 고르시오. (67~70) With Blue―uncertain stumbling Buzz― Between the light―and me― And then the Windows failed―and then I could not see to see―
미국문학의이해
33. 다음과 관계있는 것을 고르시오. (67~70) He was welded into a common personality which was dominated by a single desire. For some moments he could not flee no more than a little finger can commit a revolution from a hand.
미국문학의이해
34. 다음과 관계있는 것을 고르시오.(67~70) Just so hollow and ineffectual, for the most part, is our ordinary conversation. Surface meets surface. When our life ceases to be inward and private, conversation degenerates into mere gossip.
미국문학의이해
34. 다음과 관계있는 것을 고르시오. (67∼70) He became not a man but a member. He felt that something of which he was a part--a regiment, an army, a cause, or a country--was in crisis. He was welded into a common personality which was dominated by a single desire. For some moments he could not flee no more than a little finger can commit a revolution from a hand.
미국문학의이해
34. 다음과 관계있는 것을 고르시오. (67~70) They were careless people — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up1) the mess they had made.
미국문학의이해
34. 다음과 관계있는 것을 고르시오.(67~70) Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self.
미국문학의이해
34. 다음과 관계있는 것을 고르시오. (67~70) Some one cried, “Here they come!” There was rustling and muttering among the men. They displayed a feverish desire to have every possible cartridge ready to their hands. The boxes were pulled around into various positions, and adjusted with great care.
미국문학의이해
34. 다음과 관계있는 것을 고르시오. (67~70) He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
미국문학의이해
35. 다음과 관계있는 것을 고르시오.(67~70) . . the mother, Hannah, never scolded or gave directions; where all sorts of people dropped in; where newspaper were stacked in the hallway, and dirty dishes left for hours at a time in the sink, and where a one-legged grandmother named Eva handed you goobers from deep inside her pockets or read you a dream.
미국문학의이해
35. 다음과 관계있는 것을 고르시오. (67∼70) 이 작가는 「말해지지 않은 말할 수 없는 것들：미국문학에서 아프리카계 미국인들의 존재」(“Unspeakable Things Unspoken：The Afro-American Presence in American Literature,” 1989)라는 글에서 다음과 같이 말한 바 있다. 그리고 나는 적어도 아이스킬로스, 윌리엄 셰익스피어, 제임스, 트웨인, 호손, 멜빌 등등의 작가들 없이 살아갈 생각은 없다. 그들을 신전에 모시지 않고도 정전읽기를 드높일 길이 틀림없이 있을 것이다.
미국문학의이해
35. 다음과 관계있는 것을 고르시오. (67~70) He became not a man but a member. He felt that something of which he was a part--a regiment, an army, a cause, or a country--was in crisis. He was welded into a common personality which was dominated by a single desire. For some moments he could not flee no more than a little finger can commit a revolution from a hand.
미국문학의이해
35. 다음과 관계있는 것을 고르시오.(67~70) He suddenly lost concern for himself, and forgot to look at a menacing fate. He became not a man but a member. He felt that something of which he was a part--a regiment, an army, a cause, or a country--was in crisis. He was welded into a common personality which was dominated by a single desire.
미국문학의이해
35. 다음과 관계있는 것을 고르시오. (67~70) So we beat on, boats against the current, borne back ceaselessly into the past.
미국문학의이해
35. 다음과 관계있는 것을 고르시오. (67~70) There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now. Urge and urge and urge, Always the procreant urge of the world.
미국문학의이해
35. 다음 묘사와 관계있는 것을 고르시오.(67~70) In silent night when rest I took For sorrow near I did not look I wakened was with thund'ring noise And Piteous shrieks of dreadful voice.
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